http://www.artopenings.ca/sandra-froher.html
Deb Rhymer has worn numerous hats over the years, from Bette Midler impersonator to daycare operator. But the one that fits her best is blues booster.
Rhymer, a Victoria native, spends almost all her waking hours dedicated to blues, eith...
Preview:
http://www.artopenings.ca/denise-tierney.html
Denise Tierney at the Chapel Gallery May 6-15.
Life's Work: A Visual Memoir
by B.A. Lampman
at the Victoria Arts Council Gallery
June 3 - July 17, 2022. Opening June 3, 7:00-9:00
Preview:
http://www.artopenings.ca/ba-lampman.html
Lucky Bar owner Dylan Pitcher was on the phone from inside his Yates Street nightclub Tuesday, chatting while he rapidly ticked the final items off his “maybe one day” list of renovations.
Replace baseboards? Check. Install new oak tabletops? Check
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
On April 1, 2022, Pope Francis apologized to First Nations, Inuit and Métis gathered at the Vatican in Rome.
http://www.artopenings.ca/haren-vakil.html
Remembering the Summer of Love
"As a writer, photographer and graphic design artist, I know how difficult it is to have a venue to showcase and sell my work. Also, there are not too many high salaries in the Arts field, and trying to make a decent income can be an uphill battle. Many p
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
Red and Madame Dishrags are bios of Vancouver’s Red Robinson, the most famous radio disc jockey in B.C. history, and the Dishrags, a key but little-known female punk group from Victoria.
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
After three years and completing the paintings, she realized: “ I was documenting my grief over the current unfolding environmental disaster.