Guests at the Farquhar Auditorium are in for a special experience on September 18. Tanya Tagaq, Inuk throat-singer, composer, actor, author and activist, opens the venue’s fall season. Tagaq performs qiqsaaqtuq, with the Victoria Symphony, and sivuniti
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
Solo Show at Gage Gallery Aug 28 - Sept 8 2018
Opening Wed Aug 29 5-7pm.
Saanich Scattered Artists tour giving back to the community and making it richer
Giving back to the community is a strong focus for the growing number of artists participating in the 12th Annual Scattered Artists S...
Lovers of art and poetry will converge at two creative events in April in celebration of Poetry Month. These ekphrastic events – ekphrastic meaning a conversation between two pieces of art – will take place at the Art Gallery of Greater Victoria and t
Sometimes musicals aren’t all happy and cheery like many make them out to be.
Set in the late 1800’s, the dramatic musical Fires Burning takes the audience to a disaster that hits the small western town of Caldoon’s Crossing.
PREVIEW: http://www.artopenings.ca/bury-the-hatchet.html
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
Avis Rasmussen’s fascinating life as a visual artist comes into focus in The View From Here. The Victoria Arts Council (VAC) has collected over 100 artworks that chronicle her incredible journey, spanning over 60 years. The retrospective begins with an
Alone with Trees, Grant’s solo show at the Gage Gallery,
presents a unique vision of BC’s coastal landscapes. Drawn in by the lush colours and flowing textures, the viewer must interpret the subtext of these surreal environments. Visu...
Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.