A lively Spring tonic awaits visitors to the Gage Gallery in early April 2021.
Margo Cooper and Elizabeth Carefoot present a vibrant series of abstractions titled Eccentric Deliberations. The artwork of this talented duo is eccentric in the best possible
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
Samantha Dickie presents
A Moment in Time
September 10 - October 31, 2021
Victoria Arts Council Gallery, 1800 Store Street,
Victoria. BC. V8T 4R4
Hours: Wednesday - Sunday, 12:00-5:00
Artist Talk: Sunday, October 17 @ 3PM, VAC Gall...
Life's Work: A Visual Memoir
by B.A. Lampman
at the Victoria Arts Council Gallery
June 3 - July 17, 2022. Opening June 3, 7:00-9:00
Preview:
http://www.artopenings.ca/ba-lampman.html
http://www.artopenings.ca/karen-kaiser.html
Artist in Attendance:
April 20, 22, 30 and May 4 from 11:00 - 2:00
April 25 and May 9 from 12:00 - 4:00
Wonderful whimsy abounds in Karen Kaiser’s NEW WORKS. Using loose flowing brushwo...
"As a writer, photographer and graphic design artist, I know how difficult it is to have a venue to showcase and sell my work. Also, there are not too many high salaries in the Arts field, and trying to make a decent income can be an uphill battle. Many p
MaryLou Wakefield, a local Victoria artist, came away with a life-altering experience last summer. It changed her perspective on what she could achieve as an artist— with courage, curiosity and the willingness to take a risk. Here is her story.
Preview: http://www.artopenings.ca/fired-up-2022.html
On a laconic Friday afternoon, Absolute Underground gathered to quiz an icon - Phillip H. Anselmo. He is one of the few stars who have remained 'underground' while courting success with top-sellers Pantera and Down. Through smaller projects such as Superj
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
After three years and completing the paintings, she realized: “ I was documenting my grief over the current unfolding environmental disaster.