http://www.artopenings.ca/regan-rasmussen.html
Pete Kohut interviewed by Sheila R. Alonzo
Preview: http://www.artopenings.ca/fired-up-2022.html
On April 1, 2022, Pope Francis apologized to First Nations, Inuit and Métis gathered at the Vatican in Rome.
Gillian Redwood continues her experimental dance with universal energies in The Triumph of Light. This new series of expansive acrylic paintings illuminate Xchanges Gallery April 3-18. Zoom Artist Talk and Tour of the Exhibit:
Saturday, April 10th at 3:3
http://www.artopenings.ca/yahgulanaas.html
Summary:
Over the past two decades, his artworks have toured the world in solo shows, and been collected by major international museums and galleries.
June 19th we set out on a mission to interview Hank III at his sold out show at The Venue, Vancouver BC. We managed to get a hold of him after the show where we went back to his bus for the interview. My tape recorder wasn’t working and S...
Avis Rasmussen’s fascinating life as a visual artist comes into focus in The View From Here. The Victoria Arts Council (VAC) has collected over 100 artworks that chronicle her incredible journey, spanning over 60 years. The retrospective begins with an
Preview:
http://www.artopenings.ca/denise-tierney.html
Denise Tierney at the Chapel Gallery May 6-15.
On a laconic Friday afternoon, Absolute Underground gathered to quiz an icon - Phillip H. Anselmo. He is one of the few stars who have remained 'underground' while courting success with top-sellers Pantera and Down. Through smaller projects such as Superj
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
Chrystal Phan is a story teller. The tales she tells in her debut solo exhibition are monumental and multi-hued. They feature stories she’s heard from family and friends, embellished by her own imagination. All her paintings document some aspect of the
After three years and completing the paintings, she realized: “ I was documenting my grief over the current unfolding environmental disaster.