Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
Preview:
https://www.focusonvictoria.ca/palette/173/
Samantha Dickie’s conceptual ceramic sculptures
and
Louisa Elkin’s contemplative oil paintings
together at Fortune Gallery Feb 17-March 24, 2022.
Preview: http://www.artopenings.ca/dickie-elkin.html
A story on west coast Canadian blues guitar man, West Coast Comerford. Comerford has played in many blues bands out of Victoria, including the Rockin' Devils, All Them Blues Band and Uncle Wiggly's Hot Shoes Blues Band. The piece was published on Digita
Victoria hip-hop artist Orrie Falesau, known also by his stage name Orilla, has died. he was 30 years old. According to a GoFundMe page setup to support his partner and family, Falesau died in his sleep.
Born in the South Pacific island nation of Tuvalu,
Red and Madame Dishrags are bios of Vancouver’s Red Robinson, the most famous radio disc jockey in B.C. history, and the Dishrags, a key but little-known female punk group from Victoria.
Local historian Glenn Parfitt was determined to create a website chronicling the early days of rock ’n’ roll in Victoria — despite the challenges involved in tracking down material.
Ira Hoffecker presents Transitions at Fortune Gallery
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
Sauce Restaurant and Lounge, a once-popular downtown Victoria eatery at the corner of Yates and Wharf streets that has struggled as of late, closed its doors for good Wednesday morning.
Sauce management let the news out via social media ...
This exuberant artist brings a life-like presence to luminaries he finds interesting. “I wonder who these people are,” he asks, “how they lived their lives and chose to express themselves.”
http://www.artopenings.ca/dale-roberts.html
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.