http://www.artopenings.ca/marie-allison-2022.html
PREVIEW: http://www.artopenings.ca/bury-the-hatchet.html
After three years and completing the paintings, she realized: “ I was documenting my grief over the current unfolding environmental disaster.
Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.
In 2002, Dave Gifford and Stephen Nguyen found themselves in the not uncommon position of being art-school students with no place to live. While many would simply resign themselves to a period of complaisant couch-surfing, Gifford and Nguyen took their ho
On April 1, 2022, Pope Francis apologized to First Nations, Inuit and Métis gathered at the Vatican in Rome.
Martina Edmondson presents
“Loss” at the Gage Gallery
"As a writer, photographer and graphic design artist, I know how difficult it is to have a venue to showcase and sell my work. Also, there are not too many high salaries in the Arts field, and trying to make a decent income can be an uphill battle. Many p
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
Samantha Dickie’s conceptual ceramic sculptures
and
Louisa Elkin’s contemplative oil paintings
together at Fortune Gallery Feb 17-March 24, 2022.
Preview: http://www.artopenings.ca/dickie-elkin.html
Local historian Glenn Parfitt was determined to create a website chronicling the early days of rock ’n’ roll in Victoria — despite the challenges involved in tracking down material.