Samantha Dickie’s conceptual ceramic sculptures
and
Louisa Elkin’s contemplative oil paintings
together at Fortune Gallery Feb 17-March 24, 2022.
Preview: http://www.artopenings.ca/dickie-elkin.html
Preview: http://www.artopenings.ca/fired-up-2022.html
Despite a shaky start and a history of missteps, the Barn on Blanshard had plenty of good times - See more at: http://www.timescolonist.com/memorial-arena-left-a-capital-legacy-1.9377#sthash.DfPdmRdo.dpuf
Hush Hush Noise - Band Of The Month
Parts 1-5. An account of surfing in the Juan de Fuca (JDF) region on south Vancouver Island. No beaches are named in this book. With photos and contributions from Rivermouth Mike, James Murray, Danny Amato, and Bob Kemp, there is a special focus on the na
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
Retired music teacher played in 1970s rock band Troyka
http://www.artopenings.ca/yahgulanaas.html
Summary:
Over the past two decades, his artworks have toured the world in solo shows, and been collected by major international museums and galleries.
"As a writer, photographer and graphic design artist, I know how difficult it is to have a venue to showcase and sell my work. Also, there are not too many high salaries in the Arts field, and trying to make a decent income can be an uphill battle. Many p
http://www.artopenings.ca/sandra-froher.html
http://www.artopenings.ca/karen-kaiser.html
Artist in Attendance:
April 20, 22, 30 and May 4 from 11:00 - 2:00
April 25 and May 9 from 12:00 - 4:00
Wonderful whimsy abounds in Karen Kaiser’s NEW WORKS. Using loose flowing brushwo...
This exuberant artist brings a life-like presence to luminaries he finds interesting. “I wonder who these people are,” he asks, “how they lived their lives and chose to express themselves.”
http://www.artopenings.ca/dale-roberts.html
Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.