Preview:
https://www.focusonvictoria.ca/palette/173/
Ira Hoffecker presents Transitions at Fortune Gallery
Xchanges Gallery Is delighted to host PHOTOTEXTRINUM by Randall McGinnis in its physical space September 4-20, 2020
Randall McGinnis at Xchanges Gallery.
COVID measures are in place. The artist can welcome four visitors to the gallery...
This exuberant artist brings a life-like presence to luminaries he finds interesting. “I wonder who these people are,” he asks, “how they lived their lives and chose to express themselves.”
http://www.artopenings.ca/dale-roberts.html
Ira Hoffecker presents Transitions at Fortune Gallery
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
The Apology follows the story of three women who were taken into sexual slavery during the Japanese Invasion throughout Asia in WWII by the Imperial Army
http://www.artopenings.ca/sandra-froher.html
Life's Work: A Visual Memoir
by B.A. Lampman
at the Victoria Arts Council Gallery
June 3 - July 17, 2022. Opening June 3, 7:00-9:00
Preview:
http://www.artopenings.ca/ba-lampman.html
A lively Spring tonic awaits visitors to the Gage Gallery in early April 2021.
Margo Cooper and Elizabeth Carefoot present a vibrant series of abstractions titled Eccentric Deliberations. The artwork of this talented duo is eccentric in the best possible
Guests at the Farquhar Auditorium are in for a special experience on September 18. Tanya Tagaq, Inuk throat-singer, composer, actor, author and activist, opens the venue’s fall season. Tagaq performs qiqsaaqtuq, with the Victoria Symphony, and sivuniti
Preview:
http://www.artopenings.ca/denise-tierney.html
Denise Tierney at the Chapel Gallery May 6-15.
http://www.artopenings.ca/karen-kaiser.html
Artist in Attendance:
April 20, 22, 30 and May 4 from 11:00 - 2:00
April 25 and May 9 from 12:00 - 4:00
Wonderful whimsy abounds in Karen Kaiser’s NEW WORKS. Using loose flowing brushwo...