Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.
PREVIEW: http://www.artopenings.ca/bury-the-hatchet.html
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
After three years and completing the paintings, she realized: “ I was documenting my grief over the current unfolding environmental disaster.
June 19th we set out on a mission to interview Hank III at his sold out show at The Venue, Vancouver BC. We managed to get a hold of him after the show where we went back to his bus for the interview. My tape recorder wasn’t working and S...
Language evolves according to circumstance. Using terms like Indian, aboriginal, native, indigenous or First Nations is full of potential pitfalls. Writers must be careful to use the currently acceptable vocabulary. It’s important to be b...
Victoria hip-hop artist Orrie Falesau, known also by his stage name Orilla, has died. he was 30 years old. According to a GoFundMe page setup to support his partner and family, Falesau died in his sleep.
Born in the South Pacific island nation of Tuvalu,
Pete Kohut interviewed by Sheila R. Alonzo
A lively Spring tonic awaits visitors to the Gage Gallery in early April 2021.
Margo Cooper and Elizabeth Carefoot present a vibrant series of abstractions titled Eccentric Deliberations. The artwork of this talented duo is eccentric in the best possible