On April 1, 2022, Pope Francis apologized to First Nations, Inuit and Métis gathered at the Vatican in Rome.
Despite a shaky start and a history of missteps, the Barn on Blanshard had plenty of good times - See more at: http://www.timescolonist.com/memorial-arena-left-a-capital-legacy-1.9377#sthash.DfPdmRdo.dpuf
In 2002, Dave Gifford and Stephen Nguyen found themselves in the not uncommon position of being art-school students with no place to live. While many would simply resign themselves to a period of complaisant couch-surfing, Gifford and Nguyen took their ho
A review of Everybody Left's Season One (2009 - 13) compilation album.
Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.
Language evolves according to circumstance. Using terms like Indian, aboriginal, native, indigenous or First Nations is full of potential pitfalls. Writers must be careful to use the currently acceptable vocabulary. It’s important to be b...
"Whether they're designing visual identities, wooden coasters or stage sets, Studio Robazzo's eco-design approach is about changing our perceptions of what's possible."
“What Emerges” by Joanna Pettit.
Solo show at Gage Gallery Arts Collective
September 29 - October 18, 2020
http://www.artopenings.ca/joanna-pettit.html
http://www.artopenings.ca/yahgulanaas.html
Summary:
Over the past two decades, his artworks have toured the world in solo shows, and been collected by major international museums and galleries.
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
Samantha Dickie’s conceptual ceramic sculptures
and
Louisa Elkin’s contemplative oil paintings
together at Fortune Gallery Feb 17-March 24, 2022.
Preview: http://www.artopenings.ca/dickie-elkin.html