The Apology follows the story of three women who were taken into sexual slavery during the Japanese Invasion throughout Asia in WWII by the Imperial Army
Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.
Gage Gallery Artists Collective
is MOVING to
19 Bastion Square, Victoria, BC. V8W 1H9
Gallery re-opens on June 29, 2021.
Laura Feeleus and Elizabeth Carefoot present Vivid Connections, June 29 - July 18, 2021.
See interviews with ...
Preview:
https://www.focusonvictoria.ca/palette/173/
http://www.artopenings.ca/sandra-froher.html
“What Emerges” by Joanna Pettit.
Solo show at Gage Gallery Arts Collective
September 29 - October 18, 2020
http://www.artopenings.ca/joanna-pettit.html
Life's Work: A Visual Memoir
by B.A. Lampman
at the Victoria Arts Council Gallery
June 3 - July 17, 2022. Opening June 3, 7:00-9:00
Preview:
http://www.artopenings.ca/ba-lampman.html
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
On April 1, 2022, Pope Francis apologized to First Nations, Inuit and Métis gathered at the Vatican in Rome.
Ira Hoffecker presents Transitions at Fortune Gallery
This exuberant artist brings a life-like presence to luminaries he finds interesting. “I wonder who these people are,” he asks, “how they lived their lives and chose to express themselves.”
http://www.artopenings.ca/dale-roberts.html
A lively Spring tonic awaits visitors to the Gage Gallery in early April 2021.
Margo Cooper and Elizabeth Carefoot present a vibrant series of abstractions titled Eccentric Deliberations. The artwork of this talented duo is eccentric in the best possible
Alone with Trees, Grant’s solo show at the Gage Gallery,
presents a unique vision of BC’s coastal landscapes. Drawn in by the lush colours and flowing textures, the viewer must interpret the subtext of these surreal environments. Visu...