Sometimes musicals aren’t all happy and cheery like many make them out to be.
Set in the late 1800’s, the dramatic musical Fires Burning takes the audience to a disaster that hits the small western town of Caldoon’s Crossing.
Preview:
http://www.artopenings.ca/kaiser--faunt.html
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
Actress/comedian Kirsten Van Ritzen discusses her acting career, passion for improv, and creating Sin City Live Improv Serial in Victoria with partner Ian Ferguson.
Life's Work: A Visual Memoir
by B.A. Lampman
at the Victoria Arts Council Gallery
June 3 - July 17, 2022. Opening June 3, 7:00-9:00
Preview:
http://www.artopenings.ca/ba-lampman.html
Interview with RMRM done in October, 2012 by D'Arcy Briggs
Ska Fest: So first off, RMRM have become known as one of the region's best ska, reggae, and party bands. What were some of the original ideas behind the group and how would yo...
http://www.artopenings.ca/marie-allison-2022.html
MaryLou Wakefield, a local Victoria artist, came away with a life-altering experience last summer. It changed her perspective on what she could achieve as an artist— with courage, curiosity and the willingness to take a risk. Here is her story.
Joshua Watts at the Victoria Arts Council Sept 9 - Oct 30.
Review:
http://www.artopenings.ca/joshua-watts.html
Avis Rasmussen’s fascinating life as a visual artist comes into focus in The View From Here. The Victoria Arts Council (VAC) has collected over 100 artworks that chronicle her incredible journey, spanning over 60 years. The retrospective begins with an
Interview with HHH was done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where do you guys meet? When did you decide to form the band?
HHH: We all met through playing in other projects together. For example, our drummer, Pher, and Ch...
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.