Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
Ira Hoffecker presents Transitions at Fortune Gallery
Preview:
http://www.artopenings.ca/laundry.html
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
Parts 1-5. An account of surfing in the Juan de Fuca (JDF) region on south Vancouver Island. No beaches are named in this book. With photos and contributions from Rivermouth Mike, James Murray, Danny Amato, and Bob Kemp, there is a special focus on the na
Abstract:
Our society is surrounded by a vast array of messages conveyed more and more with moving images animated to seem so realistic that it becomes difficult to know whether the images being viewed are "alive" or created by the human hand. Animation
Joshua Watts at the Victoria Arts Council Sept 9 - Oct 30.
Review:
http://www.artopenings.ca/joshua-watts.html
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
Retired music teacher played in 1970s rock band Troyka
Local historian Glenn Parfitt was determined to create a website chronicling the early days of rock ’n’ roll in Victoria — despite the challenges involved in tracking down material.
A story on west coast Canadian blues guitar man, West Coast Comerford. Comerford has played in many blues bands out of Victoria, including the Rockin' Devils, All Them Blues Band and Uncle Wiggly's Hot Shoes Blues Band. The piece was published on Digita