Preview:
http://www.artopenings.ca/denise-tierney.html
Denise Tierney at the Chapel Gallery May 6-15.
Gillian Redwood continues her experimental dance with universal energies in The Triumph of Light. This new series of expansive acrylic paintings illuminate Xchanges Gallery April 3-18. Zoom Artist Talk and Tour of the Exhibit:
Saturday, April 10th at 3:3
Jane Michiel has a five year history with Gage Gallery and is currently a board member. The creativity of her 20 colleagues inspires her, and she enjoys the freedom of being part of a non-profit organization. Focusing on faces for Charisma,...
Life's Work: A Visual Memoir
by B.A. Lampman
at the Victoria Arts Council Gallery
June 3 - July 17, 2022. Opening June 3, 7:00-9:00
Preview:
http://www.artopenings.ca/ba-lampman.html
Chrystal Phan is a story teller. The tales she tells in her debut solo exhibition are monumental and multi-hued. They feature stories she’s heard from family and friends, embellished by her own imagination. All her paintings document some aspect of the
http://www.artopenings.ca/sandra-froher.html
Samantha Dickie’s conceptual ceramic sculptures
and
Louisa Elkin’s contemplative oil paintings
together at Fortune Gallery Feb 17-March 24, 2022.
Preview: http://www.artopenings.ca/dickie-elkin.html
Tracy McMenemy presents Folded Earth at the Fortune Gallery
March 4 - April 9, 2023
Opening Saturday March 4, 2:00 - 5:00
http://www.artopenings.ca/tracy-mcmenemy.html
A lively Spring tonic awaits visitors to the Gage Gallery in early April 2021.
Margo Cooper and Elizabeth Carefoot present a vibrant series of abstractions titled Eccentric Deliberations. The artwork of this talented duo is eccentric in the best possible
https://www.artopenings.ca/katharine-geddes.html
As Above So Below ll is a continuation of Sutherland’s quest for spiritual development through artmaking. While on an artist residency at the BAU institute in Italy, she began her contemplative inquiry into dots and circles. Other artist residencies in
Beauty of Waste
An Exhibition of collages by
Agnes Ananichuk,