Retired music teacher played in 1970s rock band Troyka
Preview:
http://www.artopenings.ca/denise-tierney.html
Denise Tierney at the Chapel Gallery May 6-15.
A lively Spring tonic awaits visitors to the Gage Gallery in early April 2021.
Margo Cooper and Elizabeth Carefoot present a vibrant series of abstractions titled Eccentric Deliberations. The artwork of this talented duo is eccentric in the best possible
Red and Madame Dishrags are bios of Vancouver’s Red Robinson, the most famous radio disc jockey in B.C. history, and the Dishrags, a key but little-known female punk group from Victoria.
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
Jo-Anne Silverman at Gage Gallery, 19 Bastion Square
NEW LOCATION - 19 Bastion Square
July 20 - August 8, 2021
http://www.artopenings.ca/joanne-silverman-21.html
After three years and completing the paintings, she realized: “ I was documenting my grief over the current unfolding environmental disaster.
“What Emerges” by Joanna Pettit.
Solo show at Gage Gallery Arts Collective
September 29 - October 18, 2020
http://www.artopenings.ca/joanna-pettit.html
Despite a shaky start and a history of missteps, the Barn on Blanshard had plenty of good times - See more at: http://www.timescolonist.com/memorial-arena-left-a-capital-legacy-1.9377#sthash.DfPdmRdo.dpuf
Sauce Restaurant and Lounge, a once-popular downtown Victoria eatery at the corner of Yates and Wharf streets that has struggled as of late, closed its doors for good Wednesday morning.
Sauce management let the news out via social media ...
Barbara McCaffrey is a conceptual artist who uses fibre arts to express her ideas and experiences. She skillfully manipulates the materials at hand.
Visit the webpage here: http://www.artopenings.ca/barbara-mccaffrey.html
Remembering the Summer of Love
In 2002, Dave Gifford and Stephen Nguyen found themselves in the not uncommon position of being art-school students with no place to live. While many would simply resign themselves to a period of complaisant couch-surfing, Gifford and Nguyen took their ho