Celebrating 13 years, the Victoria Book Prize Society is pleased to announce the finalists for the 2016 City of Victoria Butler Book Prize and the Bolen Books Children’s Book Prize.
Despite a shaky start and a history of missteps, the Barn on Blanshard had plenty of good times - See more at: http://www.timescolonist.com/memorial-arena-left-a-capital-legacy-1.9377#sthash.DfPdmRdo.dpuf
Launch Pad is pleased to introduce our 2017 - 2018 "A Kingdom for a Stage" Season
Lucky Bar owner Dylan Pitcher was on the phone from inside his Yates Street nightclub Tuesday, chatting while he rapidly ticked the final items off his “maybe one day” list of renovations.
Replace baseboards? Check. Install new oak tabletops? Check
"As a writer, photographer and graphic design artist, I know how difficult it is to have a venue to showcase and sell my work. Also, there are not too many high salaries in the Arts field, and trying to make a decent income can be an uphill battle. Many p
Interview with RMRM done in October, 2012 by D'Arcy Briggs
Ska Fest: So first off, RMRM have become known as one of the region's best ska, reggae, and party bands. What were some of the original ideas behind the group and how would yo...
The Birthday Party Paintings by Christine Clark reviewed by Debora Alanna
‘The Birthday Party Paintings' ~ 3-19 October 2014
Xchanges Gallery
Report on Gage Gallery Community Art Project designed to help people connect and donate during Covid-19
We are excited to share that for a month or so our team have been secretly working on something pretty fantastic – and it’s now ready to share with you! Say hello to Sunset’s new Interactive Virtual Stage system, a game changer for local speakers, t
Abstract:
Our society is surrounded by a vast array of messages conveyed more and more with moving images animated to seem so realistic that it becomes difficult to know whether the images being viewed are "alive" or created by the human hand. Animation
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,