Preview:
http://www.artopenings.ca/kaiser--faunt.html
Despite a shaky start and a history of missteps, the Barn on Blanshard had plenty of good times - See more at: http://www.timescolonist.com/memorial-arena-left-a-capital-legacy-1.9377#sthash.DfPdmRdo.dpuf
Martina Edmondson presents
“Loss” at the Gage Gallery
In 2002, Dave Gifford and Stephen Nguyen found themselves in the not uncommon position of being art-school students with no place to live. While many would simply resign themselves to a period of complaisant couch-surfing, Gifford and Nguyen took their ho
“What Emerges” by Joanna Pettit.
Solo show at Gage Gallery Arts Collective
September 29 - October 18, 2020
http://www.artopenings.ca/joanna-pettit.html
MaryLou Wakefield, a local Victoria artist, came away with a life-altering experience last summer. It changed her perspective on what she could achieve as an artist— with courage, curiosity and the willingness to take a risk. Here is her story.
Joshua Watts at the Victoria Arts Council Sept 9 - Oct 30.
Review:
http://www.artopenings.ca/joshua-watts.html
Jo-Anne Silverman at Gage Gallery, 19 Bastion Square
NEW LOCATION - 19 Bastion Square
July 20 - August 8, 2021
http://www.artopenings.ca/joanne-silverman-21.html
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
Local historian Glenn Parfitt was determined to create a website chronicling the early days of rock ’n’ roll in Victoria — despite the challenges involved in tracking down material.
On April 1, 2022, Pope Francis apologized to First Nations, Inuit and Métis gathered at the Vatican in Rome.
Sauce Restaurant and Lounge, a once-popular downtown Victoria eatery at the corner of Yates and Wharf streets that has struggled as of late, closed its doors for good Wednesday morning.
Sauce management let the news out via social media ...
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.